If hardcore most directly pursued the stripped down aesthetic of punk, and new wave came to represent its commercial wing, post-punk emerged in the later 1970s and early 1980s as its more artistic and challenging side. Major influences beside punk bands were the Velvet Underground, Frank Zappa and Captain Beefheart, and the New York-based no wave scene which placed an emphasis on performance, including bands such as James Chance and the Contortions, DNA and Sonic Youth. Early contributors to the genre included the US bands Pere Ubu, Devo, the Residents and Talking Heads. Heartland https://www.anatoliabrookline.com/ faded away as a recognized genre by the early 1990s, as rock music in general, and blue-collar and white working class themes in particular, lost influence with younger audiences, and as heartland’s artists turned to more personal works. Many heartland rock artists continue to record today with critical and commercial success, most notably Bruce Springsteen, Tom Petty, and John Mellencamp, although their works have become more personal and experimental and no longer fit easily into a single genre. Newer artists whose music would perhaps have been labeled heartland rock had it been released in the 1970s or 1980s, such as Missouri’s Bottle Rockets and Illinois’ Uncle Tupelo, often find themselves labeled alt-country.
While early rock and roll, particularly through the advent of rockabilly, saw the greatest commercial success for male and white performers, in this era, the genre was dominated by black and female artists. Rock and roll had not disappeared at the end of the 1950s and some of its energy can be seen in the Twist dance craze of the early 1960s, mainly benefiting the career of Chubby Checker. Debate surrounds the many recordings which have been suggested as “the first rock and roll record”. Contenders include Wynonie Harris’ “Good Rocking Tonight” ; Goree Carter’s “Rock Awhile” ; Jimmy Preston’s “Rock the Joint” , which was later covered by Bill Haley & His Comets in 1952; and “Rocket 88” by Jackie Brenston and his Delta Cats , recorded by Sam Phillips for Sun Records in 1951.
Although many post-punk bands continued to record and perform, it declined as a movement in the mid-1980s as acts disbanded or moved off to explore other musical areas, but it has continued to influence the development of rock music and has been seen as a major element in the creation of the alternative rock movement. Although punk rock was a significant social and musical phenomenon, it achieved less in the way of record sales , or American radio airplay (as the radio scene continued to be dominated by mainstream formats such as disco and album-oriented rock). Punk rock had attracted devotees from the art and collegiate world and soon bands sporting a more literate, arty approach, such as Talking Heads and Devo began to infiltrate the punk scene; in some quarters the description “new wave” began to be used to differentiate these less overtly punk bands. Record executives, who had been mostly mystified by the punk movement, recognized the potential of the more accessible new wave acts and began aggressively signing and marketing any band that could claim a remote connection to punk or new wave. The instrumental strand of the genre resulted in albums like Mike Oldfield’s Tubular Bells , the first record, and worldwide hit, for the Virgin Records label, which became a mainstay of the genre.
This British folk-rock was taken up by bands including Pentangle, Steeleye Span and the Albion Band, which in turn prompted Irish groups like Horslips and Scottish acts like the JSD Band, Spencer’s Feat and later Five Hand Reel, to use their traditional music to create a brand of Celtic rock in the early 1970s. By the 1960s, the scene that had developed out of the American folk music revival had grown to a major movement, utilising traditional music and new compositions in a traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics. In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach a mainstream audience with hits including “Blowin’ in the Wind” and “Masters of War” , which brought “protest songs” to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences.
The Beatles introduced many of the major elements of the psychedelic sound to audiences in this period, such as guitar feedback, the Indian sitar and backmasking sound effects. Psychedelic https://www.wikipedia.org/ particularly took off in California’s emerging music scene as groups followed the Byrds’s shift from folk to folk rock from 1965. The psychedelic lifestyle, which revolved around hallucinogenic drugs, had already developed in San Francisco and particularly prominent products of the scene were Big Brother and the Holding Company, the Grateful Dead and Jefferson Airplane. The Jimi Hendrix Experience’s lead guitarist, Jimi Hendrix did extended distorted, feedback-filled jams which became a key feature of psychedelia. 1967 saw the Beatles release their definitive psychedelic statement in Sgt. Pepper’s Lonely Hearts Club Band, including the controversial track “Lucy in the Sky with Diamonds”, the Rolling Stones responded later that year with Their Satanic Majesties Request, and the Pink Floyd debuted with The Piper at the Gates of Dawn.
Despite scores of bands being signed to major or large regional labels, most were commercial failures. It is generally agreed that garage rock peaked both commercially and artistically around 1966. By 1968 the style largely disappeared from the national charts and at the local level as amateur musicians faced college, work or the draft.